“Vivaldi’s classic, The Four Seasons, was performed at the Margaret Island Theatre in a way never heard before. The multidisciplinary performance, ‘The Magic of Vivaldi – The Four Seasons,’ not only delivered the eternal cycle of nature, the changing of the seasons, and the magic of music and dance, but also the concert experience of the future.”
– Magyar Nemzet, Budapest
“Carmina Burana in Budapest proves a full-on theatrical experience.
The essence of this staging is the music. The 3D images follow the musical progression in real time. All of the images are marked in the score which is closely followed by the artist controlling the projection. If the conductor takes a slower tempo or faster tempo, the images are relayed accordingly.”
– Seen and Heard International, London
“Here, the visuals are not merely a backdrop – they live to the rhythm of the music, react, sweep the audience along, becoming an independent dramaturgical character. The Magic of Vivaldi is not only a reinterpretation of the baroque genre, but also a contemporary reflection on the changes in nature, the passing of time, and the fragility of culture.”
– Magyar Nemzet, Budapest
“The performance I saw was as mind-blowing as mesmerising in all dimensions. Conductor Bogányi has every second of the score in his whole being and creates beauty, excitement and art at its best.”
– Seen and Heard International, London
“This live concert is a groundbreaking artistic experiment, and it is unique worldwide.”
– Blikk, Budapest
Visual Symphony’s first major project, Carmina Burana 3D, was commissioned by the Hungarian National Opera House. The Opera has kept it in its repertoire ever since the premiere, performing it regularly.
Combining real-time visual projection and a holographic net system created together with Freelusion Ltd, we brought Carmina Burana to the stage in operatic form.
Since its debut, the production has reached audiences in 66 sold-out performances- in 2026 it will return to the Opera House for 14 more shows.
Through symbols such as the Phoenix, Tree of Life, and Sun and Moon, Orff’s musical universe unfolds on stage. For us, Carmina Burana 3D is not just a concert—it is an invitation to experience this masterpiece as an Opera.
“Vivaldi’s classic, The Four Seasons, was performed at the Margaret Island Theatre in a way never heard before. The multidisciplinary performance, ‘The Magic of Vivaldi – The Four Seasons,’ not only delivered the eternal cycle of nature, the changing of the seasons, and the magic of music and dance, but also the concert experience of the future.”
– Magyar Nemzet, Budapest
“Carmina Burana in Budapest proves a full-on theatrical experience.
The essence of this staging is the music. The 3D images follow the musical progression in real time. All of the images are marked in the score which is closely followed by the artist controlling the projection. If the conductor takes a slower tempo or faster tempo, the images are relayed accordingly.”
– Seen and Heard International, London
“Here, the visuals are not merely a backdrop – they live to the rhythm of the music, react, sweep the audience along, becoming an independent dramaturgical character. The Magic of Vivaldi is not only a reinterpretation of the baroque genre, but also a contemporary reflection on the changes in nature, the passing of time, and the fragility of culture.”
– Magyar Nemzet, Budapest
“The performance I saw was as mind-blowing as mesmerising in all dimensions. Conductor Bogányi has every second of the score in his whole being and creates beauty, excitement and art at its best.”
– Seen and Heard International, London
“This live concert is a groundbreaking artistic experiment, and it is unique worldwide.”
– Blikk, Budapest
“Vivaldi’s classic, The Four Seasons, was performed at the Margaret Island Theatre in a way never heard before. The multidisciplinary performance, ‘The Magic of Vivaldi – The Four Seasons,’ not only delivered the eternal cycle of nature, the changing of the seasons, and the magic of music and dance, but also the concert experience of the future.”
– Magyar Nemzet, Budapest
“Carmina Burana in Budapest proves a full-on theatrical experience.
The essence of this staging is the music. The 3D images follow the musical progression in real time. All of the images are marked in the score which is closely followed by the artist controlling the projection. If the conductor takes a slower tempo or faster tempo, the images are relayed accordingly.”
– Seen and Heard International, London
“Here, the visuals are not merely a backdrop – they live to the rhythm of the music, react, sweep the audience along, becoming an independent dramaturgical character. The Magic of Vivaldi is not only a reinterpretation of the baroque genre, but also a contemporary reflection on the changes in nature, the passing of time, and the fragility of culture.”
– Magyar Nemzet, Budapest
“The performance I saw was as mind-blowing as mesmerising in all dimensions. Conductor Bogányi has every second of the score in his whole being and creates beauty, excitement and art at its best.”
– Seen and Heard International, London
“This live concert is a groundbreaking artistic experiment, and it is unique worldwide.”
– Blikk, Budapest
Ágnes Zászkaliczky, who graduated from the Universität Mozarteum, is a musician, professional organist, and visual artist who has presented her works in numerous exhibitions across Europe and the United States, including in Budapest, Vienna, Miami, and Palm Beach. Her passion for musical themes is clearly evident in her visual interpretations, where music and painting intertwine to create a unique narrative. Beyond her career as a painter and musician, she has also made significant contributions to the world of classical music through large-scale visual design projects.
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